Bringing History to Life

New Penn Museum gallery explores power, diversity, and influence in the ancient Americas



For thousands of years before the arrival of European settlers, the area known today as Mexico and Central America was home to a wide variety of distinct and long-lasting cultures. The artifacts they created embody the breadth and immensity of their knowledge and achievements.

The stories of these ancient civilizations, and the people who comprised them, are coming back to life at the Penn Museum—where a newly reimagined Mexico and Central America Gallery opens this November as part of the ongoing Building Transformation Campaign. More than 250 objects spanning nearly 4,000 years of regional history will be on display, the majority of which were excavated by Penn’s own archaeologists and anthropologists through the Museum’s various research projects conducted throughout the region.

two men Digging in front of a Maya temple (Temple 1) at Tikal in 1958. Photo courtesy of the Museum Archives.
Digging in front of a Maya temple (Temple 1) at Tikal in 1958. Photo courtesy of the Museum Archives.
Burkitt Chocola's team digging 13 meters down in year 1928 black and white photo
Robert Burkitt excavated for the Museum in Guatemala from 1912 to 1937. Here, his team at Chocola is shown digging 13 meters down in 1928. Photo courtesy of the Museum Archives.
a man standing with a monkey holding on to his waist Piedras Negras, Guatemala in 1932.
J. Alden Mason, Curator of Penn Museum’s American Section from 1926 to 1955, shown at Piedras Negras, Guatemala in 1932. Photo courtesy of the Museum Archives.
a man and woman standing at piedras negras, guatemala in 1936 black and white photo
Tatiana Proskouriakoff (at right) works at Piedras Negras, Guatemala in 1936. Proskouriakoff's decipherment of ancient glyphs paved the way for a renaissance of Maya studies that continues to this day. Photo courtesy of the Museum Archives.
Upside-down sculpture of a face being uncovered in Structure 34 of the North Acropolis at Tikal, 1962
Upside-down sculpture of a face being uncovered in Structure 34 of the North Acropolis at Tikal, 1962. Photo courtesy of the Museum Archives.

Penn’s work in Mexico and Central America began more than a century ago, catalyzed in part by then-Museum Director George Byron Gordon, who worked in Mexico’s Yucatan Peninsula in 1910-11. In the following decades, Penn led excavations at sites such as Piedras Negras, Guatemala and Sitio Conte, Panama, unearthing remnants of the powerful cultures that once dominated these lands—such as a magnificent, 1,200-year-old limestone monument archaeologists dubbed “Stela 14,” which played a key role in the decipherment of Maya glyph writing and has since become one of the Museum’s most famed objects.

Numerous monumental artifacts found during these research projects were displayed in the gallery’s previous iteration (originally installed in 1946). In the new gallery, visitors will view these objects more vividly than ever before, thanks to modern lighting updates and a months-long process of careful restoration at the hands of the Museum’s talented conservators.

“This is the largest and finest collection of Maya monuments in the U.S.,” says Simon Martin, lead curator of the new gallery. “To see such a collection, one would otherwise have to travel to Mexico or Guatemala.”

Alexis North, Williams Project Conservator at the Penn Museum, carefully cleans the surface of a monumental Maya artifact, helping to illuminate the intricate glyph writing on its surface.
Alexis North, Williams Project Conservator at the Penn Museum, carefully cleans the surface of a monumental Maya artifact, helping to illuminate the intricate glyph writing on its surface.
Conservation intern Kate Aguirre works meticulously to remove dirt from a stone altar from present-day Belize, dating to 830 CE.
Conservation intern Kate Aguirre works meticulously to remove dirt from a stone altar from present-day Belize, dating to 830 CE.
Alexis attends to the famous Stela 14 from Piedras Negras, Guatemala in preparation for its move to a new location in the upcoming Mexico and Central America Gallery.
Alexis attends to the famous Stela 14 from Piedras Negras, Guatemala in preparation for its move to a new location in the upcoming Mexico and Central America Gallery.
A laser-guided rigging system helps the team to prepare Stela 14 for its relocation.
A laser-guided rigging system helps the team to prepare Stela 14 for its relocation.
Museum staff and technicians guide the monument onto its new support structure.
Museum staff and technicians guide the monument onto its new support structure.
two men and two women looking at their work with their backs to the camera
The team steps back to examine their work.

Many objects in the new gallery will be on display for the first time at the Penn Museum, including a bright, beautiful array of 20th-century textiles from Guatemala. These colorful pieces will be rotated periodically to give visitors deeper exposure to the collection, and will serve as a backdrop for programs with modern-day artists who still follow the same traditional weaving techniques. Artifacts on long-term loan from the Philadelphia Museum of Art, created by the Aztec and Olmec peoples, will help tell a thorough story of the region’s long and diverse history.

The new gallery will play a major role in the Museum’s rich programmatic offerings, such as the innovative Global Guides program, which creates employment opportunities as gallery guides for individuals who recently immigrated to the United States from the Mexico/Central America region. It will host thousands of students each year who visit the Museum for field trips, and will enrich popular family events such as the annual Día de los Muertos Celebration.

visitors at the mexico and Central America Gallery
The Mexico and Central America Gallery will allow visitors to see the region's storied history in a brand new light.
a museum featuring more than 3,000 years of pre-Columbian history
More than 3,000 years of pre-Columbian history will be represented through the 250+ objects on display.
two men at museum viewing maya artifacts
Monumental Maya artifacts such as Stela 14 (at left) contribute to a museum experience unlike any other in the United States.
grandmother and granddaughter view modern interpretation and touch-screen technology mingles with ancient artifacts.
Old meets new as modern interpretation and touch-screen technology mingles with ancient artifacts.
Innovative technology takes the spotlight as a 3D-printed replica of the well-known
Innovative technology takes the spotlight as a 3D-printed replica of the well-known "Margarita panel" from Copan, Honduras is slated for display.

The Mexico and Central America Gallery opens to the public on November 16, along with several more transformed spaces: a suite of Africa Galleries, a restoration of the historic Harrison Auditorium, and a redesigned Main Entrance and adjacent Sphinx Gallery, where the 12.5-ton sphinx of Ramses II will greet visitors. All these changes come as part of the Penn Museum’s Building Transformation Campaign—an ambitious project that is reimagining 75% of the Museum’s gallery spaces, presenting new programming and amenities, and allowing for the stories of human history to be told and appreciated in vibrant new ways.

You can be among the first to experience these remarkable new spaces as a guest at the Museum’s upcoming Golden Gala on November 9—a once-in-a-century celebration of this world-renowned institution and its grand reopening. Tickets are available online, with proceeds supporting the Museum’s ongoing research projects, educational and public programming, and collections stewardship.

The next phase of the Building Transformation Campaign is already underway, with plans for a complete renovation of the ever-popular Egypt and Nubia Galleries. By supporting the Campaign, you help to position the Penn Museum as not only an indispensable resource for the Penn community, but also as a global destination for tourism and scholarship.

Support the Building Transformation Campaign